I heard that iTunes 11.1.3 does not support that iPod and that you would have to stay with iTunes 10.9. An example would be a classic iPod Shuffle the skinny one. Keep in mind that just because it is old does not mean it doesn't work at all. You would first download iTunes 11.1.3 or the latest at that time. A file dialog will open and let you choose the downloaded ipsw-file. After downloading the desired firmware below, you can shift-click (PC) or option-click (Mac) the Restore or Update buttons in iTunes. You can also download the software from here. It will ask you to name your iPod and choose your syncing preferences, as it did when you connected your iPod for the first time." source. Note: The progress bar may be difficult to see, because the backlight on the iPod display may be off.Īfter stage two of the restore process is complete, the iTunes Setup Assistant window will appear. It is critical that the iPod remain connected to the computer or iPod power adapter during this stage. Leave iPod connected to computer to complete restore (typically applies newer iPod models).ĭuring stage two of the restore process, the iPod displays an Apple logo as well as a progress bar at the bottom of the display. When this stage is done, iTunes will present one of two messages with instructions specific to the iPod model you are restoring.ĭisconnect iPod and connect it to iPod Power Adapter (typically applies to older iPod models). If you are using a Mac, you will be asked to enter an administrator’s name and password.Ī progress bar will appear on the computer screen, indicating that stage one of the restore process has begun. You will see information about your iPod appear in the Summary tab of the main iTunes window. Connect your iPod to your computer using the USB or FireWire cable that came with your iPod.Īfter a few moments, your iPod will appear in the Source panel in iTunes. Verify that you have an active Internet connection, because you may need to download new versions of the iTunes and iPod Software.ĭownload and install the latest version of iTunes if necessary. Here is the Apple solution:"How to restore iPod Methsiri, it will install the software when you restore your iPod.
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( 2017), ‘a unifying definition of big data is difficult to give, but generally it is a term for data sets that are so large or complex that traditional data processing applications are inadequate’. This is the first study of big data in agriculture that takes a discourse analysis approach and thus interrogates the status quo and the prevailing norms and values driving decisions with impacts on both farmers and wider society.īig data and its potential to ‘revolutionise’ the industry (Huberty 2015) are of interest to agricultural industries and researchers across Australia, and globally. The study highlights that there are key questions and issues that need to be addressed in further development of digital technology and big data in agriculture, specifically around trust, equity, distribution of benefits and access. We relate these findings and the literature on adoption of technology and social studies in agriculture to the potential of farmers to embrace big data, from basic concerns about network infrastructure through to more complex issues of data collection and storage. Two main discourses were identified: (1) big data as a technology that will significantly benefit a few larger farms or businesses-Big Data is for Big Farming-and conversely (2) big data as a way for every farmer to benefit-Big Data is for Everyone. We conducted a discourse analysis of 26 interviews with stakeholders in the grains industry in Australia. It is also necessary to address emerging moral and ethical questions about access, cost, scale and support, which will determine whether farms will be able to be ‘big data enabled’. For this to be achieved, it is necessary to understand the ways that farmers and other industry stakeholders perceive big data and how big data might change the industry. Advances in digital technology-often encapsulated in the term ‘big data’-are increasingly assumed to be the way this challenge will be met. Continued population growth and land intensification put increasing pressure on agricultural production and point to a need for a ‘step change’ in agriculture to meet the demand. Mind-blowingĪnd Stevie will never sing this beautifully again - he will certainly try and succeed but never Parts mixed with Wood's fabulous flute parts and Capaldi's great percussions. Rearranged into a poignant and deelply oppressive climate - with superb acoustic guitar However the other real masterpiece is the stupendous title track - a traditional number Musicians and superbly peaceful and happy music bringing spine-tingling and goose bumps. Which the almost perfect Low Sparks and Shootout - full of great interplay between gifted Those two tracks announce the following three albums among They were successive numbers - and I have never heard these two tracks played (separate tracks but very short time space in between) to the point that even in concert Their infectious grooves and very judicious breaks - both are invariably linked together The psychy song are ever so close to to the progressive ones.Īmong these prog tracks are three irresistible masterpieces : Glad and Freedom Rider with Transition album "par excellence" as one can really feel the two Traffic phases still presentīut slowly melting together. Renamed Traffic and are we ever glad they had that brilliant idea. Originally intended as a Stevie Winwood solo album, this got quickly (1970, UK) Cover with the original burlap photo backgroundĬD Island Records - 422-842 780-2 (1990, US)ĬD Island Remasters - IMCD266 (1999, Europe) Remastered to 24-bit with 5 previously unreleased bonus tracks (On the track list the original # 4-6 become 5-7 due to bonus track inserted at #4)Ĥ.5 stars really. Bill Graham / spoken voice (9) Releases informationĪrtwork: Illustration courtesy of English Folk Dance & Song Society with Mike Sida (design) Jim Capaldi / drums, percussion, tambourine (5), vocals (4,5) Chris Wood / acoustic & electric saxophones, flute, wind, Hammond organ (3), percussion Steve Winwood / Hammond organ, piano & electric piano (3), acoustic (4,5) & electric (4,6) guitars, bass (3), bass pedals (10), percussion, vocals (2-5,8,10), co-producer * Recorded Live at The Fillmore East, New York, 18-November-1970 Line-up / Musicians Who Knows What Tomorrow May Bring (6:56) * Sittin' Here Thinkin' of My Love (3:33)ġ0. Eventually, the Marker was extracted via a large metallic net anchored by several submarines, after it had been separated from the bedrock by robotic dredgers. Whilst on the floating research station in the Gulf of Mexico, Altman became less of a liability and more of a valuable member of Markoff's crew, being evidenced by Altman's appointment to lead several submarine missions to study the Marker prior to its extraction. Having already found out that Altman was responsible for seeding concern for the oddities being related to the crater, Markoff strongarmed the geophysicist into joining the government staff Markoff was assembling for the extraction and study of the Marker, effectively removing Altman from the outside community whence he could arouse further suspicion. In doing so he met Michael Altman, a geophysicist working at a small research station in Puerto Chicxulub, a small coastal town in Mexico's Yucatán Peninsula. Biography Īt the time of the Black Marker's discovery, Craig Markoff was a government-appointed front for DredgerCorp Chicxulub, a semi-secret branch of an already shady and controversial mining corporation that had been hastily set up upon the realisation of anomalous activity in the Chicxulub Crater region.ĭuring this time, Markoff took it upon himself to oversee any scientific curiosity piqued by the odd occurrences later revealed to be caused by the Marker. He was an imposing figure with a square-cut jaw and ice-blue eyes. He was described as having a grey pompadour haircut, slightly longer than military standard, combed back and gelled in place. He's a very dangerous man.Ĭraig Markoff, sometimes referred to as The Colonel, was an influential member of the military and a key component in the extraction of the Black Marker. He thinks of everything as a potential weapon. Definitions include synonyms and antonyms which allows the dictionary to also serve as a thesaurus. 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